Press

The output of Grella-Możejko springs from the spirit of progressive tendencies of the last decades. Examples include zapada zmrok for chamber ensemble, devoted to the memory of Giacinto Scelsi, and Numen for bass clarinet and organ, endowed with an interestingly developed melody.
Krzysztof Kwiatkowski, RUCH MUZYCZNY

coloratura for Charles – disco(n)notation for baritone saxophone and electronics by […] Piotr Grella-Możejko, is an amazing work. This reviewer encountered so many colourful saxophone timbres which he had never heard before, even in his imagination!  The piece is a virtuosic vehicle for the solo instrument and employs leading-edge extended playing techniques including key clicks, multiphonics, double-stopping, extremes of articulation and rotary or circular breathing.
Jerry Ozipko, THE ALBERTA NEW MUSIC & ARTS REVIEW

Listening to and watching Piotr Grella-Możejko’s OBOEnergy… was by no means a nonsensical experience… (the work) turned out to be a refreshing, witty tale about yet undiscovered possibilities of a very energetic instrument.
Olga Pacewicz, KURIER PORANNY

Piotr Grella-Możejko’s OBOEnergy (MariusAZIONI) for oboe (1985-86) – played beautifully, with elan and prowess by Mariusz Pędziałek – could easily satisfy all those who are into pastiche, sketch and instrumental theatre – in other words, the aesthetics which the composer has successfully explored for a long time.
Anna Ignatowicz, RUCH MUZYCZNY

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